My Darling Sara
I will be analyzing the spoken word piece “My darling Sara” by Shane Koyczan.
I will be analyzing the spoken word piece “My darling Sara” by Shane Koyczan.
The
poet repeats several lines throughout the work, creating with them themes that
are woven together in the end. For example:
“I’m Trying”
“My darling Sara”
“So I do my best impression…”
Repeating
these words with the same rhythm and pauses each time adds to the affect and
separates ideas into verses of sorts. Ending with the line “I tried”, tied
several of the themes together and concluded the piece well.
The
spoken word artist carries the same structure of rhythm throughout the performance.
Looking at the words of the piece typed out you can visually see the verses
follow the same form, with the same general number of syllables. This structure
and similarity in the verses is what creates the effective rhythm.
The artist builds intensity by
quickening the pace and shortening the pauses until the words form one long sentence
at which point he cuts off the flow with a simple sentence and a long pause.
Instead
of raising his voice to stress important sentences, a common practice in
regular speech, he actually does the opposite. Koyczan says the significant
lines slowly and with long pauses before and after, often directly following a
long verse of unbroken lines. In a strange way this is much more effective than
shouting these lines as at these points his voice carries the tone of someone
who is remembering and attempting to control an emotion.
This
effect can be heard when Koyczan pauses after the sentence ‘My darling Sara’
each time and this lets the audience know its importance and the weight that
the words carry in comparison to the rest of the work.
Within
the piece, Koyczan rarely ends a sentence but rather connects multiple without
pause. The subject of the sentence shifts several times, using words or phrases
as links between what might have been two sentences or three sentences in a
written work.
This
spoken word poem displays Koyczan’s style well as it has his signature continuous
sentences, heavy pauses and the simultaneous build up of speed and intensity
that are heard in his other works.
I
could dissect the effectiveness of each sentence and pause in the piece but I
think to understand why spoken word works the way it does you just have to hear
it. And no amount of analysis could compare to simply listening to it.
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